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DTSTART;TZID=America/New_York:20240612T120000
DTEND;TZID=America/New_York:20240612T133000
DTSTAMP:20260403T193245
CREATED:20240520T173732Z
LAST-MODIFIED:20240522T141343Z
UID:10815-1718193600-1718199000@dyckmanfarmhouse.org
SUMMARY:History in Focus: When Old Uptown was Young: Irish\, Jewish and Greek Immigrants in Washington Heights and Inwood
DESCRIPTION:When Old Uptown was Young: Irish\, Jewish and Greek Immigrants in Washington Heights and Inwood \nJune 12th\, at 12PM \nVirtual Via Zoom \nRegister here \nLecture by Robert W. Snyder\, Manhattan Borough Historian \nUpper Manhattan is well known as the site of the largest Dominican community in the United States\, but from the 1920s to the 1980s it was the home of large communities of Irish\, Jewish and Greek immigrants and their children. Robert Snyder’s lecture will explore how they came to Upper Manhattan\, how they settled in\, and how they experienced the Depression\, World War II\, the postwar migration to the suburbs\, and the years of high crime and economic turmoil that shook New York City in the late twentieth century. \nRobert Snyder\, Manhattan Borough Historian\, is professor emeritus of American Studies and Journalism at Rutgers University. His books include Crossing Broadway: Washington Heights and the Promise of New York and All the Nations Under Heaven: Immigrants\, Migrants and the Making of New York. \n  \nCuando el Alto Manhattan Era Joven: Inmigrantes Irlandeses\, Judíos y Griegos en Washington Heights e Inwood \n12 de junio\, a las 12 p.m. \nVirtual por Zoom \nRegístrese aquí \nConferencia a cargo de Robert W. Snyder\, Historiador del Distrito de Manhattan \nEl Alto Manhattan es conocido como el lugar de la comunidad dominicana más grande de los Estados Unidos\, pero desde la década de 1920 hasta la de 1980 fue el hogar de grandes comunidades de inmigrantes irlandeses\, judíos y griegos y sus hijos. La conferencia de Robert Snyder explorará cómo llegaron al Alto Manhattan\, cómo se establecieron y cómo vivieron la Depresión\, la Segunda Guerra Mundial\, la migración a los suburbios de la posguerra y los años de alta criminalidad y crisis económica que sacudieron la ciudad de Nueva York a fines del siglo XX. \nRobert Snyder\, historiador del distrito de Manhattan\, es profesor emérito de Estudios Americanos y Periodismo en la Universidad de Rutgers. Sus libros incluyen “Crossing Broadway: Washington Heights y la promesa de Nueva York” y “Todas las naciones bajo el cielo: inmigrantes\, migrantes y la creación de Nueva York”.
URL:https://dyckmanfarmhouse.org/event/history-in-focus-when-old-uptown-was-young-irish-jewish-and-greek-immigrants-in-washington-heights-and-inwood/
LOCATION:Virtual via Zoom
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/05/history-in-focus-Facebook-Cover-1.png
ORGANIZER;CN="Dyckman Farmhouse Museum":MAILTO:info@dyckmanfarmhouse.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240608T110000
DTEND;TZID=America/New_York:20240608T130000
DTSTAMP:20260403T193245
CREATED:20240408T135809Z
LAST-MODIFIED:20240408T135809Z
UID:10767-1717844400-1717851600@dyckmanfarmhouse.org
SUMMARY:Performance Art Piece with Cheyney McKnight
DESCRIPTION:Performance Art Piece by Cheyney McKnight: The Ancestors Future: An Afrofuturist’s Journey Through Time Exhibition \nFREE WITH MUSEUM ADMISSION \nMay 4th\, 11AM-1PM \nMay 11th\, 11AM-1PM \nJune 1st\, 11AM-1PM \nJune 8th\, 11AM-1PM \nJune 15th\, 11AM-1PM \nJune 22nd\, 11AM-1PM \nJune 29th\, 11AM-1PM \nHow do Black descendants of those enslaved in America envision the future of sites of enslavement? Join Afrofuturist\, Artist\, and Historical Interpreter Cheyney McKnight in her exhibit\, The Ancestor’s Future: An Afrofuturist’s Journey Through Time at Dyckman Farmhouse Museum.  The exhibit is a personally curated journey from the past of Black America to the future of the African diaspora that uses clothing and set design to center the descendants in the conversation.  The public is invited to join Mcknight along with other descendants over a cup of tea in a conversation about the African experience in America’s past\, how it is impacting the present\, and hear speculations about the far future of the Diaspora through the lens of descendants.
URL:https://dyckmanfarmhouse.org/event/performance-art-piece-with-cheyney-mcknight-2/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/04/Performance-Art-Piece-by-Cheyney-McKnight-The-Ancestors-Future-Exhibition-FREE-WITH-MUSEUM-ADMISSION.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240608T100000
DTEND;TZID=America/New_York:20240608T133000
DTSTAMP:20260403T193245
CREATED:20240520T113810Z
LAST-MODIFIED:20240531T125633Z
UID:10806-1717840800-1717853400@dyckmanfarmhouse.org
SUMMARY:Uptown Plein Air
DESCRIPTION:Uptown Plein Air at the Dyckman Farmhouse \nSaturday\, June 8th from 10:00AM-1:30AM \nFREE \nCome watch a group of local artists practice their painting skills as they try to capture the lovely grounds of the Dyckman Farmhouse. Artists will host a Q&A to answer the public’s questions about their process! The Dyckman Farmhouse will get to pick their favorite painting as a souvenir\, so stay to find out the winning painting! Limited supplies will be available for children to join in on the fun! \nOrganized by local artist\, Francis Hsueh. \nThe Artists: \n Francis Hsueh\, Organizer (https://art-francis.com) \n Gregory Coutinho (http://www.gregorycoutinho.com) \n Tony Serio (https://www.tonyserio.com) \n Anna Rich (https://www.instagram.com/annarich.art) \n David Nakabayashi (https://judyferraragallery.com/nakabayashi-david) \n Jessica Prior (https://jessicapriorart.com) \n Doug Madill (http://www.madillstudio.com) \n Josefina Hernandez (https://www.josefinahernandez.com)
URL:https://dyckmanfarmhouse.org/event/uptown-plein-air/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/05/Uptown-Plein-Air-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240607T130000
DTEND;TZID=America/New_York:20240607T150000
DTSTAMP:20260403T193245
CREATED:20240315T145736Z
LAST-MODIFIED:20240315T145736Z
UID:10683-1717765200-1717772400@dyckmanfarmhouse.org
SUMMARY:José Luis in the Parlor
DESCRIPTION:***THIS EVENT IS FREE WITH MUSEUM ADMISSION** Tickets cost $3 per person\, and are free for Inwood Residents. \nWander the Dyckman Farmhouse Museum while listening to the beautiful sounds of Jose Luis on the harp! Jose will play at the farmhouse during open hours. Find Jose set up in the farmhouse parlor on: \nSaturday\, March 30: 12PM-2PM \nSaturday\, April 6: 12PM-2PM \nSaturday\, April 20 12PM-2PM \nSaturday\, May 18: 12PM-2PM \nFriday\, May 24: 1PM-3PM \nFriday\, June 7: 1PM-3PM \nJose Luis has been performing for over thirty years and is highly regarded as a gifted harpist by his peers. Jose Luis is the only harpist to play both the classic concert harp and the Latin lever harp; which requires him to pluck the strings with two different techniques; the first uses his fingertips and the second his nails. \nJose Luis first fell in love with the sound of the harp and began studying in his early teens with Maestro Jose Serrano in Puerto Rico. He later visited Los Angeles to take private lessons with the world-renowned harpist and composer Alfredo Rolando Ortiz.
URL:https://dyckmanfarmhouse.org/event/jose-luis-in-the-parlor-7/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/6.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240605T120000
DTEND;TZID=America/New_York:20240605T133000
DTSTAMP:20260403T193245
CREATED:20240603T135729Z
LAST-MODIFIED:20240603T135729Z
UID:10833-1717588800-1717594200@dyckmanfarmhouse.org
SUMMARY:Juan Rodriguez: The Immigrant Spirit
DESCRIPTION:Juan Rodriguez: The Immigrant Spirit \nBy Dr. Ramona Hernandez \nJune 5th at 12PM; Virtual Via Zoom \nRegister Here \nThis talk focuses on the historical events that shaped Juan Rodriguez\, a black man who spoke his mind and demanded to be heard. It also discusses the “push and pull” factors behind Rodriguez’s migration and his decision to settle in a land that would be later named New York City. \nDr. Ramona Hernández is Professor of Sociology at the City College of New York\, City University of New York (CUNY) and Director of the CUNY Dominican Studies Institute. Dr. Hernández is also affiliated with the Doctoral faculties of the Department of Sociology and the Master of International Studies\, both at the CUNY Graduate Center. Under her leadership\, CUNY DSI\, which is home to a research unit\, Dominican Library\, and Dominican Archives\, has distinguished itself as a world-class institute of research known for its groundbreaking scholarship on the history of the Dominican people in the United States and elsewhere. Dr. Hernández is the author\, co-author and co-editor of numerous writings and research projects focusing on the Dominican people. Her newest project is a book that focuses on the transition of Dominicans into a settled\, permanent community in the U.S.\, co-authored with Gregory Morton and under contract with Lived Places Publishing Press. \n  \nJuan Rodríguez: El Espíritu Inmigrante \nPor la Dra. Ramona Hernández \n5 de junio a las 12 PM; Virtual Vía Zoom \nEsta charla se centra en los eventos históricos que dieron forma a Juan Rodríguez\, un hombre negro que expresó su opinión con valentía y exigió ser escuchado. También analiza los factores de “empuje y atracción” detrás de la migración de Rodríguez y su decisión de establecerse en una tierra que luego se llamaría la ciudad de Nueva York. \nLa Dra. Ramona Hernández es Profesora de Sociología en el City College de Nueva York\, City University of New York (CUNY) y Directora del Instituto de Estudios Dominicanos de CUNY. La Dra. Hernández también está afiliada a las facultades del Doctorado del Departamento de Sociología y la Maestría en Estudios Internacionales\, ambos en el CUNY Graduate Center. Bajo su liderazgo\, el CUNY DSI\, que alberga una unidad de investigación\, una biblioteca dominicana y archivos dominicanos\, se ha distinguido como un instituto de investigación de clase mundial conocido por sus estudios pioneros sobre la historia del pueblo dominicano en los Estados Unidos y otros lugares. La Dra. Hernández es autora\, coautora y coeditora de numerosos escritos y proyectos de investigación centrados en el pueblo dominicano. Su proyecto más reciente es un libro que se centra en la transición de los dominicanos a una comunidad estable y permanente en los EE. UU.\, en coautoría con Gregory Morton y bajo contrato con Lived Places Publishing Press.
URL:https://dyckmanfarmhouse.org/event/juan-rodriguez-the-immigrant-spirit/
LOCATION:Virtual via Zoom
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/06/3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240604T180000
DTEND;TZID=America/New_York:20240604T193000
DTSTAMP:20260403T193245
CREATED:20240522T170751Z
LAST-MODIFIED:20240522T170751Z
UID:10823-1717524000-1717529400@dyckmanfarmhouse.org
SUMMARY:Afroterpreting: Talking About Slavery While Black
DESCRIPTION:Afroterpreting: Talking About Slavery While Black \nBy Cheyney McKnight \nTuesday\, June 4th at 6PM \nCome join us in learning about the creative process of the person behind the exhibition “The Ancestor’s Future”\, artist and historical interpreter Cheyney McKnight. \nThe exhibit is a personally curated journey from the past of Black America to the future of the African diaspora that uses clothing and set design to center the descendants in the conversation. The public is invited to join Mcknight along with other descendants over a cup of tea in a conversation about the African experience in America’s past\, how it is impacting the present\, and hear speculations about the far future of the Diaspora through the lens of descendants. \n  \nAfrointerpretación: Hablando sobre la esclavitud siendo negro \nPor Cheyney McKnight \nMartes 4 de junio a las 6 PM \nTe invitamos a que te unas a nosotros para aprender sobre el proceso creativo de la persona detrás de la exhibición “El Futuro de los Ancestros”\, el artista e intérprete histórico Cheyney McKnight. \nLa exhibición es un viaje curado personalmente desde el pasado de la América Negra hasta el futuro de la diáspora africana que utiliza la ropa y la escenografía para centrar a los descendientes en la conversación. Se invita al público a unirse a Mcknight junto con otros descendientes para tomar una taza de té en una conversación sobre la experiencia africana en el pasado de Estados Unidos\, cómo está impactando el presente y escuchar especulaciones sobre el futuro lejano de la Diáspora a través de la lente de los descendientes.
URL:https://dyckmanfarmhouse.org/event/afroterpreting-talking-about-slavery-while-black/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/05/Afroterpreting-Talking-About-Slavery-While-Black.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240601T110000
DTEND;TZID=America/New_York:20240601T130000
DTSTAMP:20260403T193245
CREATED:20240408T135658Z
LAST-MODIFIED:20240408T135658Z
UID:10765-1717239600-1717246800@dyckmanfarmhouse.org
SUMMARY:Performance Art Piece with Cheyney McKnight
DESCRIPTION:Performance Art Piece by Cheyney McKnight: The Ancestors Future: An Afrofuturist’s Journey Through Time Exhibition \nFREE WITH MUSEUM ADMISSION \nMay 4th\, 11AM-1PM \nMay 11th\, 11AM-1PM \nJune 1st\, 11AM-1PM \nJune 8th\, 11AM-1PM \nJune 15th\, 11AM-1PM \nJune 22nd\, 11AM-1PM \nJune 29th\, 11AM-1PM \nHow do Black descendants of those enslaved in America envision the future of sites of enslavement? Join Afrofuturist\, Artist\, and Historical Interpreter Cheyney McKnight in her exhibit\, The Ancestor’s Future: An Afrofuturist’s Journey Through Time at Dyckman Farmhouse Museum.  The exhibit is a personally curated journey from the past of Black America to the future of the African diaspora that uses clothing and set design to center the descendants in the conversation.  The public is invited to join Mcknight along with other descendants over a cup of tea in a conversation about the African experience in America’s past\, how it is impacting the present\, and hear speculations about the far future of the Diaspora through the lens of descendants.
URL:https://dyckmanfarmhouse.org/event/performance-art-piece-with-cheyney-mcknight/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/04/Performance-Art-Piece-by-Cheyney-McKnight-The-Ancestors-Future-Exhibition-FREE-WITH-MUSEUM-ADMISSION.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240530T183000
DTEND;TZID=America/New_York:20240530T200000
DTSTAMP:20260403T193245
CREATED:20240401T135423Z
LAST-MODIFIED:20240528T012433Z
UID:10753-1717093800-1717099200@dyckmanfarmhouse.org
SUMMARY:The Grand Tour: An Immersive Dance Experience
DESCRIPTION:The Grand Tour: An Immersive Dance Experience \nMay 30th\, 2024 at 6:30PM – FREE \nBy Julia Bengtsson from New York Baroque Dance Company. Accompanied by Paul Shipper\, Dongmyung Ahn\,  Jason Priset and Patrick Pride \nAttend “The Grand Tour\,” at the Dyckman Farmhouse Museum! Visitors will experience an immersive dance performance\, and have a chance to dance themselves. The Grand Tour was the name of the popular trips of youngsters that visited the main capitals of Europe in the 18th Century. Attendees will experience a music and dance program that transports them to 18th Century England\, France and Spain. Our guides are dancers Julia Bengtsson and Patrick Pride from The New York Baroque Dance Company\, America’s leading Baroque dance ensemble\, and the musicians Paul Shipper\, Jason Priset and Dongmyung Ahn. \nAbout the performers \nJulia Bengtsson  \nSwedish-born Julia Bengtsson has choreographed over 20 ballets\, operas and films for venues including Carnegie Hall\, UN Headquarters and Bruno Walter Auditorium at Lincoln Center. Her stage direction of Opera Lafayette’s production of Venus and Adonis was praised by The Washington Post as “a fine evening’s entertainment”. She has made presentations at Temple University\, NYU\, and University of Pittsburgh. She joined The New York Baroque Dance Company in 2018 and in 2021 she was the first dancer chosen for Early Music America’s Emerging Professional Leadership Council. She is a mentee of Bessie-awarded director/choreographer Catherine Turocy and a graduate of Royal Swedish Ballet School. http://www.juliabengtsson.com/ \nPaul Shipper \nPaul Shipper is a Grammy nominated singer\, instrumentalist\, stage director and coach. In his confused career\, he has performed in all 50 states and 17 countries with early music groups\, theater\, dance\, contemporary chamber ensembles and opera companies. As well as his concert work on vocals\, lute\, guitar\, recorder\, flute\, winds and percussion\, he can be heard on over 60 recordings and on soundtracks for museums and library exhibits\, PBS\, HBO\, Showtime’s hit series ‘The Tudors’ and various bad horror movies. \nDongmyung Ahn \nEarly string specialist Dongmyung Ahn is a performer\, educator\, and scholar whose interests span from the twelfth to eighteenth centuries. She regularly performs with Pegasus\, Raritan Players\, The Sebastians\, and TENET Vocal Artists. She has played rebec in the critically acclaimed production of The Play of Daniel at the Cloisters. A dedicated educator\, Dongmyung has taught music history at Columbia University\, New York University\, Queens College\, Rutgers University\, and Vassar College. She received her PhD in musicology at the Graduate Center\, CUNY and has published articles on medieval liturgy and Jewish-Christian relations in Henry VIII’s court. \nJason Priset \nAs a performer Dr. Jason Priset regularly travels around the United States and abroad\, and has performed with a variety of different organizations and venues. This includes the Scottish Rite Temple in Miami\, Florida\, the Museu de la Música in Barcelona\, Spain\, and Alice Tully Hall at Lincoln Center in New York City. And as a Director has organized and executed the Lute Society of America Festival\, serves on faculty and staff for Amherst Early Music\, and has been the musical director for various concerts including the Collegium Musicum at Montclair State University. \nPatrick Pride \nBorn and raised in Richmond\, Virginia\, Patrick Pride Jr. graduated with a BFA in Dance at Austin Peay State University in 2018. After graduating\, Patrick performed in various musicals around Tennessee and was a member of Found Movement Group (a contemporary-based dance theater company). Since Patrick moved to NYC in 2020\, he has performed in music videos\, dance projects and choreographed Lion King Jr. Patrick joined The New York Baroque Dance Company in 2021. He also performs with the Brooklyn dance company\, AP Dance Inc.\, winner of the Special Mention award for the 2021 Global Shorts Awards. \nThe New York Baroque Dance Company  \nThe New York Baroque Dance Company\, founded in 1976 by Catherine Turocy\, Artistic Director\, and Ann Jacoby\, specializes in 17th and 18th century programs ranging from street performances to fully staged operas.  There are over 80 operas in its repertoire as well as reconstructed dances and ballets choreographed in period style. NYBDC has toured North America\, Europe and Japan with conductors James Richman\, John Eliot Gardiner\, Christopher Hogwood\, Nicholas McGegan and Wolfgang Katschner.  The company also performs with Opera Lafayette Orchestra and Chorus\, The Dallas Bach Society\, Philharmonia Baroque Orchestra and Chorale and Ars Lyrica Houston. http://www.nybaroquedance.org/   \n  \nEl Gran Tour: Una Experiencia de Danza Inmersiva \n30 de mayo de 2024 a las 6:30PM – GRATIS \nPor Julia Bengtsson de la Compañía de Danza Barroca de Nueva York. Acompañada por Paul Shipper\, Dongmyung Ahn\, Jason Priset y Patrick Pride. \nAsiste a “El Gran Tour” en el Museo Dyckman Farmhouse! Los visitantes experimentarán una presentación de danza inmersiva y tendrán la oportunidad de bailar ellos mismos. El Gran Tour era el nombre de los viajes populares que realizaban los jóvenes para visitar las principales capitales de Europa en el siglo XVIII. Los asistentes disfrutarán de un programa de música y danza que los transportará a la Inglaterra\, Francia y España del siglo XVIII. Nuestros guías son los bailarines Julia Bengtsson y Patrick Pride de la Compañía de Danza Barroca de Nueva York\, el conjunto de danza barroca líder de Estados Unidos\, y los músicos Paul Shipper\, Jason Priset y Dongmyung Ahn. \nSobre los artistas \nJulia Bengtsson \nLa sueca Julia Bengtsson ha coreografiado más de 20 ballets\, óperas y películas para lugares como el Carnegie Hall\, la sede de la ONU y el Auditorio Bruno Walter en el Lincoln Center. Su dirección escénica de la producción de Venus y Adonis de Opera Lafayette fue elogiada por The Washington Post como “una excelente velada de entretenimiento”. Ha realizado presentaciones en Temple University\, NYU y University of Pittsburgh. Se unió a la Compañía de Danza Barroca de Nueva York en 2018 y en 2021 fue la primera bailarina elegida para el Consejo de Liderazgo Profesional Emergente de Early Music America. Es aprendiz de la directora y coreógrafa ganadora del premio Bessie\, Catherine Turocy\, y graduada de la Royal Swedish Ballet School. http://www.juliabengtsson.com/ \nPablo Shipper \nPablo Shipper es un cantante\, instrumentista nominado al Grammy\, director de escena y entrenador. En su ecléctica carrera\, ha actuado en los 50 estados y 17 países con grupos de música antigua\, teatro\, danza\, conjuntos de cámara contemporáneos y compañías de ópera. Además de su trabajo de concierto con voz\, laúd\, guitarra\, flauta dulce\, flauta\, instrumentos de viento y percusión\, se le puede escuchar en más de 60 grabaciones y bandas sonoras para exposiciones de museos y bibliotecas\, PBS\, HBO\, la exitosa serie de Showtime “Los Tudor” y varias películas de terror de bajo presupuesto. \nDongmyung Ahn \nLa especialista en cuerdas antiguas\, Dongmyung Ahn\, es una intérprete\, educadora y académica cuyos intereses abarcan desde el siglo XII hasta el XVIII. Toca regularmente con Pegasus\, Raritan Players\, The Sebastians y TENET Vocal Artists. Tocó la rebeca en la aclamada producción de El juego de Daniel en los Cloisters. Dongmyung\, una educadora dedicada\, ha enseñado historia de la música en la Universidad de Columbia\, la Universidad de Nueva York\, Queens College\, la Universidad de Rutgers y Vassar College. Obtuvo su doctorado en musicología en el Graduate Center\, CUNY y ha publicado artículos sobre liturgia medieval y relaciones judeo-cristianas en la corte de Enrique VIII. \nJason Priset \nComo intérprete\, el Dr. Jason Priset viaja regularmente por Estados Unidos y el extranjero\, y se ha presentado con una variedad de organizaciones y en sedes diferentes. Esto incluye el Scottish Rite Temple en Miami\, Florida\, el Museu de la Música en Barcelona\, España\, y el Alice Tully Hall en el Lincoln Center de la ciudad de Nueva York. Y como director\, ha organizado y ejecutado el Festival de la Lute Society of America\, forma parte del cuerpo docente y staff de Amherst Early Music\, y ha sido director musical de varios conciertos\, incluido el Collegium Musicum de la Montclair State University. \nPatrick Pride Jr. \nNacido y criado en Richmond\, Virginia\, Patrick Pride Jr. se graduó con un BFA en Danza de la Universidad Estatal de Austin Peay en 2018. Después de graduarse\, Patrick actuó en varios musicales en Tennessee y fue miembro de Found Movement Group (una compañía de teatro de danza contemporánea). Desde que Patrick se mudó a Nueva York en 2020\, ha participado en videos musicales\, proyectos de danza y coreografió el Rey León Jr. Patrick se unió a The New York Baroque Dance Company en 2021. También actúa con la compañía de danza de Brooklyn\, AP Dance Inc.\, ganadora del premio Mención Especial en los Global Shorts Awards 2021. \nThe New York Baroque Dance Company  \nLa Compañía de Danza Barroca de Nueva York\, fundada en 1976 por Catherine Turocy\, Directora Artística\, y Ann Jacoby\, se especializa en programas de los siglos XVII y XVIII que van desde representaciones callejeras hasta óperas completamente escenificadas. Tiene más de 80 óperas en su repertorio\, así como danzas y ballets reconstruidos coreografiados en estilo de época. NYBDC ha realizado giras por América del Norte\, Europa y Japón con directores de orquesta como James Richman\, John Eliot Gardiner\, Christopher Hogwood\, Nicholas McGegan y Wolfgang Katschner. La compañía también actúa con la Orquesta y Coro de la Ópera Lafayette\, la Sociedad Bach de Dallas\, la Orquesta Barroca de la Filarmónica y el Coro y Ars Lyrica Houston. http://www.nybaroquedance.org/
URL:https://dyckmanfarmhouse.org/event/the-grand-tour-an-immersive-dance-experience/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/04/The-Grand-Tour.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240529T120000
DTEND;TZID=America/New_York:20240529T133000
DTSTAMP:20260403T193245
CREATED:20240515T143432Z
LAST-MODIFIED:20240522T141109Z
UID:10799-1716984000-1716989400@dyckmanfarmhouse.org
SUMMARY:History in Focus: The Dutch in Upper Manhattan in the 17th Century
DESCRIPTION:History in Focus: The Dutch in Upper Manhattan in the 17th Century \nBy Dr. Deborah Hamer \nWednesday\, May 29th at 12PM \nFREE; Virtual via zoom \nRegister here \nThe most populous Dutch settlements in the 17th century were in Nieuw Amsterdam (lower Manhattan) and in Albany\, and most Dutch records produced in the period were produced in one of those two cities. This lunchtime lecture focuses on the documentary record of upper Manhattan\, looking at what records survive and what they tell us about diversity and intercultural interactions in this less well-studied area. \n  \nEnfoque Histórico: Los Holandeses en el Alto Manhattan en el Siglo XVII \nPor la Dra. Deborah Hamer \nMiércoles 29 de mayo a las 12 p.m. \nGRATIS; Virtual por Zoom \nRegístrese aquí \nLos asentamientos holandeses más poblados del siglo XVII se ubicaron en Nueva Ámsterdam (la parte baja de Manhattan) y Albany\, y la mayoría de los registros holandeses producidos en ese período se crearon en una de esas dos ciudades. Esta conferencia de mediodía se centra en los registros documentales del Alto Manhattan\, analizando qué registros sobreviven y qué nos dicen sobre la diversidad y las interacciones interculturales en esta área menos estudiada.
URL:https://dyckmanfarmhouse.org/event/history-in-focus-the-dutch-in-upper-manhattan-in-the-17th-century/
LOCATION:Virtual via Zoom
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/05/history-in-focus-Facebook-Cover.png
ORGANIZER;CN="Dyckman Farmhouse Museum":MAILTO:info@dyckmanfarmhouse.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240525T100000
DTEND;TZID=America/New_York:20240525T110000
DTSTAMP:20260403T193245
CREATED:20240325T190109Z
LAST-MODIFIED:20240523T144149Z
UID:10719-1716631200-1716634800@dyckmanfarmhouse.org
SUMMARY:The Pinkster Stroll Send-Off
DESCRIPTION:The Pinkster Stroll Send Off \nSaturday\, May 25th \nfrom 10AM-11AM \nFREE \nThe Pinkster Stroll will be a group of Black New Yorkers dressed in historically inspired garb walking from Dyckman Farmhouse to New-York Historical Society in commemoration of both enslaved and free Black people in 17th- and 18th-century Dutch New York who celebrated Pinkster\, the oldest African American holiday. Join us at Dyckman Farmhouse in sending them off on their long walk\, and to discover how the Christian feast of Pentecost celebrated by the Dutch\, evolved into a Black American festival used by Black New Yorkers to gather with family and friends and reconnect with their African cultures. This program is a partnership between New-York Historical Society\, the Dyckman Farmhouse Museum\, and Not Your Momma’s History. \n  \nSábado\, 25 de mayo de 10:00 a.m. a 11:00a.m. \nGRATIS \nEl Paseo Pinkster será un grupo de neoyorquinos negros vestidos con ropa de inspiración histórica que caminarán desde la Granja Dyckman hasta la Sociedad Histórica de Nueva York en conmemoración de los negros esclavizados y libres en la Nueva York holandesa de los siglos XVII y XVIII que celebraron el Pinkster\, la festividad afroamericana más antigua. Únase a nosotros en la Granja Dyckman para despedirlos en su larga caminata y para descubrir cómo la fiesta cristiana de Pentecostés celebrada por \nlos holandeses evolucionó hasta convertirse en un festival afroamericano utilizado por los neoyorquinos negros para reunirse con familiares y amigos y reconectarse con sus culturas africanas. Este programa es una colaboración entre la Sociedad Histórica de Nueva York\, el Museo de la Granja Dyckman y Not Your Momma’s History.
URL:https://dyckmanfarmhouse.org/event/the-pinkster-stroll-send-off/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/Untitled-design-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240524T130000
DTEND;TZID=America/New_York:20240524T150000
DTSTAMP:20260403T193245
CREATED:20240315T145607Z
LAST-MODIFIED:20240321T181618Z
UID:10681-1716555600-1716562800@dyckmanfarmhouse.org
SUMMARY:José Luis in the Parlor
DESCRIPTION:***THIS EVENT IS FREE WITH MUSEUM ADMISSION** Tickets cost $3 per person\, and are free for Inwood Residents. \nWander the Dyckman Farmhouse Museum while listening to the beautiful sounds of Jose Luis on the harp! Jose will play at the farmhouse during open hours. Find Jose set up in the farmhouse parlor on: \nSaturday\, March 30: 12PM-2PM \nSaturday\, April 6: 12PM-2PM \nSaturday\, April 20 12PM-2PM \nSaturday\, May 18: 12PM-2PM \nFriday\, May 24: 1PM-3PM \nFriday\, June 7: 1PM-3PM \nJose Luis has been performing for over thirty years and is highly regarded as a gifted harpist by his peers. Jose Luis is the only harpist to play both the classic concert harp and the Latin lever harp; which requires him to pluck the strings with two different techniques; the first uses his fingertips and the second his nails. \nJose Luis first fell in love with the sound of the harp and began studying in his early teens with Maestro Jose Serrano in Puerto Rico. He later visited Los Angeles to take private lessons with the world-renowned harpist and composer Alfredo Rolando Ortiz. \n  \nESTE EVENTO ES GRATUITO CON LA ENTRADA AL MUSEO \nLas entradas cuestan $3 por persona y son gratis para los residentes de Inwood ¡Pasea por el Museo Dyckman Farmhouse mientras escuchas los hermosos sonidos del arpa con José Luis! José tocará en la granja durante el horario de apertura. Encuentra a José en el salón de la granja en: \nSábado\, 30 de marzo: 12:00 p.m. a 2:00 p.m. \nSábado\, 6 de abril: 12:00 p.m. a 2:00 p.m. \nSábado\, 20 de abril: 12:00 p.m. a 2:00 p.m. \nSábado\, 18 de mayo: 12:00 p.m. a 2:00 p.m. \nViernes\, 24 de mayo: 1:00 p.m. a 3:00 p.m. \nViernes\, 7 de junio: 1:00 p.m. a 3:00 p.m. \nJosé Luis lleva más de treinta años tocando el arpa y es muy respetado por sus colegas como un arpista talentoso. José Luis es el único arpista que toca tanto el arpa de concierto clásica como el arpa de palanca latina; lo que requiere que toque las cuerdas con dos técnicas diferentes; la primera utiliza los dedos y la segunda las uñas. José Luis se enamoró por primera vez del sonido del arpa y comenzó a estudiar en su adolescencia con el Maestro José Serrano en Puerto Rico. Más tarde visitó Los Ángeles para tomar clases con el mundialmente reconocido arpista y compositor Alfredo Rolando Ortiz.
URL:https://dyckmanfarmhouse.org/event/jose-luis-in-the-parlor-6/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/5.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240523T180000
DTEND;TZID=America/New_York:20240523T193000
DTSTAMP:20260403T193245
CREATED:20240401T135056Z
LAST-MODIFIED:20240401T135056Z
UID:10750-1716487200-1716492600@dyckmanfarmhouse.org
SUMMARY:Performance and Drumming Workshop from Wula Drum
DESCRIPTION:Performance and Drumming Workshop from Wula Drum \nMay 23rd\, 2024\, 6PM-7:30PM \nFREE\, First Come\, First Served \nMark your calendars for May 23rd! Wula Drum will offer a drumming performance and lead a drumming workshop as part of DFM’s Pinkster Week programming. Pinkster is an African American holiday that originated in the Dutch colony of New Netherland (present-day New York) in the 17th century. Pinkster was celebrated 7 weeks after Pentecost\, or Pinksteren\, and was originally a Dutch holiday. Pinkster became one of the few days of the year when enslavers would allow the people they enslaved to gather in groups\, sell goods\, dance\, make music\, and celebrate\, and in 1790-1810\, Pinkster became primarily an African American holiday. \n  \nTaller de Percusión y Presentación de Wula Drum \n23 de mayo de 2024\, de 6:00 p.m. a 7:30 p.m. \nGRATIS\, por orden de llegada \n¡Marquen sus calendarios para el 23 de mayo! Wula Drum ofrecerá una presentación de percusión y dirigirá un taller de tambores como parte de la programación de la Semana Pinkster de Museo Granja Dyckman. Pinkster es una festividad afroamericana que se originó en la colonia holandesa de Nueva Holanda (actual Nueva York) en el siglo XVII. Pinkster se celebraba 7 semanas después de Pentecostés\, o Pinksteren\, y originalmente era una fiesta holandesa. Pinkster se convirtió en uno de los pocos días del año en que los esclavizadores permitían a las personas esclavizadas reunirse en grupos\, vender bienes\, bailar\, hacer música y celebrar\, y entre 1790 y 1810\, Pinkster se convirtió principalmente en una festividad afroamericana.
URL:https://dyckmanfarmhouse.org/event/performance-and-drumming-workshop-from-wula-drum/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/04/PINKSTER-1.png
ORGANIZER;CN="Dyckman Farmhouse Museum":MAILTO:info@dyckmanfarmhouse.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240521T180000
DTEND;TZID=America/New_York:20240521T193000
DTSTAMP:20260403T193245
CREATED:20240308T142632Z
LAST-MODIFIED:20240308T142632Z
UID:10648-1716314400-1716319800@dyckmanfarmhouse.org
SUMMARY:Colonial Crossroads: A Pinkster Celebration
DESCRIPTION:Join the Dyckman Farmhouse Museum and Carla & Keyes for “Colonial Crossroads\,” a Pinkster celebration! \nTuesday\, May 21st\, 2024 at 6PM \nColonial Crossroads is a family friendly interpretation of African and European traditions and instruments that influenced each other during the Colonial period. The audience is encouraged to participate in call-and-response and body percussion techniques. Jim is a multi-instrumentalist who uses baroque guitar\, mandolin\, mountain dulcimer and recorders to perform European music from the Colonial Era. Carla represents the African side of Colonial America through stories and songs performed on Shekere and Djembe. \n¡Únase al Museo Dyckman Farmhouse y a Carla & Keyes para “Colonial Crossroads”\, una celebración de Pinkster! \nEl martes 21 de mayo de 2024 a las 6 p.m. \nColonial Crossroads es un evento familiar donde se interpretara tradiciones y instrumentos africanos y europeos que se influenciaron mutuamente durante el período colonial en America. Invitamos a la audiencia a participar en técnicas de llamada y respuesta y percusión corporal. Jim es un multiinstrumentista que utiliza la guitarra barroca\, la mandolina\, el dulcimer de montaña y las flautas dulces para interpretar música europea de la era colonial. Carla representa el lado africano de la América colonial a través de historias y canciones interpretadas con Shekere y Djembe.
URL:https://dyckmanfarmhouse.org/event/colonial-crossroads-a-pinkster-celebration/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/Colonial-Crossroads.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240518T120000
DTEND;TZID=America/New_York:20240518T140000
DTSTAMP:20260403T193245
CREATED:20240315T145445Z
LAST-MODIFIED:20240321T181553Z
UID:10679-1716033600-1716040800@dyckmanfarmhouse.org
SUMMARY:José Luis in the Parlor
DESCRIPTION:***THIS EVENT IS FREE WITH MUSEUM ADMISSION** Tickets cost $3 per person\, and are free for Inwood Residents. \nWander the Dyckman Farmhouse Museum while listening to the beautiful sounds of Jose Luis on the harp! Jose will play at the farmhouse during open hours. Find Jose set up in the farmhouse parlor on: \nSaturday\, March 30: 12PM-2PM \nSaturday\, April 6: 12PM-2PM \nSaturday\, April 20 12PM-2PM \nSaturday\, May 18: 12PM-2PM \nFriday\, May 24: 1PM-3PM \nFriday\, June 7: 1PM-3PM \nJose Luis has been performing for over thirty years and is highly regarded as a gifted harpist by his peers. Jose Luis is the only harpist to play both the classic concert harp and the Latin lever harp; which requires him to pluck the strings with two different techniques; the first uses his fingertips and the second his nails. \nJose Luis first fell in love with the sound of the harp and began studying in his early teens with Maestro Jose Serrano in Puerto Rico. He later visited Los Angeles to take private lessons with the world-renowned harpist and composer Alfredo Rolando Ortiz. \n  \nESTE EVENTO ES GRATUITO CON LA ENTRADA AL MUSEO \nLas entradas cuestan $3 por persona y son gratis para los residentes de Inwood ¡Pasea por el Museo Dyckman Farmhouse mientras escuchas los hermosos sonidos del arpa con José Luis! José tocará en la granja durante el horario de apertura. Encuentra a José en el salón de la granja en: \nSábado\, 30 de marzo: 12:00 p.m. a 2:00 p.m. \nSábado\, 6 de abril: 12:00 p.m. a 2:00 p.m. \nSábado\, 20 de abril: 12:00 p.m. a 2:00 p.m. \nSábado\, 18 de mayo: 12:00 p.m. a 2:00 p.m. \nViernes\, 24 de mayo: 1:00 p.m. a 3:00 p.m. \nViernes\, 7 de junio: 1:00 p.m. a 3:00 p.m. \nJosé Luis lleva más de treinta años tocando el arpa y es muy respetado por sus colegas como un arpista talentoso. José Luis es el único arpista que toca tanto el arpa de concierto clásica como el arpa de palanca latina; lo que requiere que toque las cuerdas con dos técnicas diferentes; la primera utiliza los dedos y la segunda las uñas. José Luis se enamoró por primera vez del sonido del arpa y comenzó a estudiar en su adolescencia con el Maestro José Serrano en Puerto Rico. Más tarde visitó Los Ángeles para tomar clases con el mundialmente reconocido arpista y compositor Alfredo Rolando Ortiz.
URL:https://dyckmanfarmhouse.org/event/jose-luis-in-the-parlor-5/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240514T173000
DTEND;TZID=America/New_York:20240514T190000
DTSTAMP:20260403T193245
CREATED:20240308T141420Z
LAST-MODIFIED:20240308T141420Z
UID:10633-1715707800-1715713200@dyckmanfarmhouse.org
SUMMARY:Growing Uptown: May Workshop
DESCRIPTION:Growing Uptown: May Workshop \nTuesday\, May 14; 5:30-7PM \nMaterials are FIRST COME\, FIRST SERVED \nCome unleash your creativity and get your hands dirty! At our Growing Uptown May Workshop\, you will have the opportunity to decorate your own terracotta pot\, transplant a seedling\, and discover how to utilize everyday items from your home for planting vegetables. Not only will you learn the basics of gardening\, but you will also gain insights into harvesting the fruits of your labor. Whether you are a seasoned gardener or a beginner\, this program is perfect for anyone looking to sprout their knowledge on gardening and sustainable practices. Come join us and cultivate your green thumb while having a great time! \nTHIS PROGRAM IS SUPPORTED\, IN PART\, BY PUBLIC FUNDS FROM THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS IN PARTNERSHIP WITH THE CITY COUNCIL. \nResiliencia Verde: Taller de Mayo \nMartes 14 de mayo; 5:30-7:00 PM \n¡Ven a dar rienda suelta a tu creatividad y ensuciate las manos! En nuestro Taller de “Cultivando en Washington Heights” de mayo\, tendrás la oportunidad de decorar tu propia maceta de terracota\, trasplantar un plantón y descubrir cómo utilizar artículos cotidianos de tu hogar para plantar vegetales. No solo aprenderás los conceptos básicos de la jardinería\, sino que también obtendrás información valiosa sobre cómo cosechar los frutos de tu trabajo. \nYa seas un jardinero experimentado o un experto\, este programa es perfecto para cualquiera que busque sembrar sus conocimientos sobre jardinería y prácticas sostenibles. ¡Únete a nosotros y cultiva tu mano verde mientras te diviertes! \nLos materiales estarán disponible POR ORDEN DE LLEGADA
URL:https://dyckmanfarmhouse.org/event/growing-uptown-may-workshop/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/May-2.png
ORGANIZER;CN="Dyckman Farmhouse Museum":MAILTO:info@dyckmanfarmhouse.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240511T110000
DTEND;TZID=America/New_York:20240511T130000
DTSTAMP:20260403T193245
CREATED:20240408T135540Z
LAST-MODIFIED:20240408T135540Z
UID:10762-1715425200-1715432400@dyckmanfarmhouse.org
SUMMARY:Performance Art Piece by Cheyney McKnight
DESCRIPTION:Performance Art Piece by Cheyney McKnight: The Ancestors Future: An Afrofuturist’s Journey Through Time Exhibition \nFREE WITH MUSEUM ADMISSION \nMay 4th\, 11AM-1PM \nMay 11th\, 11AM-1PM \nJune 1st\, 11AM-1PM \nJune 8th\, 11AM-1PM \nJune 15th\, 11AM-1PM \nJune 22nd\, 11AM-1PM \nJune 29th\, 11AM-1PM \nHow do Black descendants of those enslaved in America envision the future of sites of enslavement? Join Afrofuturist\, Artist\, and Historical Interpreter Cheyney McKnight in her exhibit\, The Ancestor’s Future: An Afrofuturist’s Journey Through Time at Dyckman Farmhouse Museum.  The exhibit is a personally curated journey from the past of Black America to the future of the African diaspora that uses clothing and set design to center the descendants in the conversation.  The public is invited to join Mcknight along with other descendants over a cup of tea in a conversation about the African experience in America’s past\, how it is impacting the present\, and hear speculations about the far future of the Diaspora through the lens of descendants.
URL:https://dyckmanfarmhouse.org/event/performance-art-piece-by-cheyney-mcknight-2/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/04/Performance-Art-Piece-by-Cheyney-McKnight-The-Ancestors-Future-Exhibition-FREE-WITH-MUSEUM-ADMISSION.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240504T110000
DTEND;TZID=America/New_York:20240504T130000
DTSTAMP:20260403T193245
CREATED:20240408T135314Z
LAST-MODIFIED:20240408T135314Z
UID:10759-1714820400-1714827600@dyckmanfarmhouse.org
SUMMARY:Performance Art Piece By Cheyney McKnight
DESCRIPTION:Performance Art Piece by Cheyney McKnight: The Ancestors Future: An Afrofuturist’s Journey Through Time Exhibition \nFREE WITH MUSEUM ADMISSION \nMay 4th\, 11AM-1PM \nMay 11th\, 11AM-1PM \nJune 1st\, 11AM-1PM \nJune 8th\, 11AM-1PM \nJune 15th\, 11AM-1PM \nJune 22nd\, 11AM-1PM \nJune 29th\, 11AM-1PM \nHow do Black descendants of those enslaved in America envision the future of sites of enslavement? Join Afrofuturist\, Artist\, and Historical Interpreter Cheyney McKnight in her exhibit\, The Ancestor’s Future: An Afrofuturist’s Journey Through Time at Dyckman Farmhouse Museum.  The exhibit is a personally curated journey from the past of Black America to the future of the African diaspora that uses clothing and set design to center the descendants in the conversation.  The public is invited to join Mcknight along with other descendants over a cup of tea in a conversation about the African experience in America’s past\, how it is impacting the present\, and hear speculations about the far future of the Diaspora through the lens of descendants.
URL:https://dyckmanfarmhouse.org/event/performance-art-piece-by-cheyney-mcknight/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/04/Performance-Art-Piece-by-Cheyney-McKnight-The-Ancestors-Future-Exhibition-FREE-WITH-MUSEUM-ADMISSION.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240430T180000
DTEND;TZID=America/New_York:20240430T200000
DTSTAMP:20260403T193245
CREATED:20240321T180937Z
LAST-MODIFIED:20240401T150802Z
UID:10703-1714500000-1714507200@dyckmanfarmhouse.org
SUMMARY:"The Ancestor’s Future: An Afrofuturist’s Journey Through Time\,"  Exhibition Opening Reception
DESCRIPTION:“The Ancestor’s Future: An Afrofuturist’s Journey Through Time” \nExhibition Opening Reception \nApril 30th\, 6PM-8PM \nFREE \n“The Ancestor’s Future: An Afrofuturist’s Journey Through Time\,” Exhibition is a personally curated journey from the past of Black America to the future of the African diaspora with performance artist and public historian Cheyney McKnight. It will explore community bonds\, community healing\, and community adaptability. McKnight speculates on a distant future while looking to the past and present to inform us on how Black Americans may get to a future where Black bodies and communities reap the full benefits of their creativity\, ingenuity\, resources\, and labor. \nProgram funding is provided by the Upper Manhattan Empowerment Zone Development Corporation (UMEZ). The UMEZ Arts Engagement program is administered by Lower Manhattan Cultural Council (LMCC). \n  \nRecepción de inauguración de la exposición “El Futuro de los Ancestros: Un Viaje Afrofuturista a Través del Tiempo” \n30 de abril\, de 6PM a 8PM \nGRATIS \n“El Futuro de los Ancestros: Un Viaje Afrofuturista a Través del Tiempo” es un viaje personal curado por la artista performática e historiadora pública Cheyney McKnight\, desde el pasado de la América Negra hasta el futuro de la diáspora africana. Explorará los lazos de la comunidad\, la sanación de la comunidad y la capacidad de adaptación de la comunidad. McKnight especula sobre un futuro lejano mientras mira hacia el pasado y el presente para informarnos sobre cómo los afroamericanos pueden llegar a un futuro donde los cuerpos y las comunidades negras cosechen todos los beneficios de su creatividad\, ingenio\, recursos y trabajo.
URL:https://dyckmanfarmhouse.org/event/the-ancestors-future-an-afrofuturists-journey-through-time-exhibition-opening-reception/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/HOME-SICK-Facebook-Cover-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240427T140000
DTEND;TZID=America/New_York:20240427T160000
DTSTAMP:20260403T193245
CREATED:20240314T134128Z
LAST-MODIFIED:20240314T134128Z
UID:10657-1714226400-1714233600@dyckmanfarmhouse.org
SUMMARY:Crafts with Cathy
DESCRIPTION:Crafts with Cathy \nApril 27th\, 2PM-4PM \nMaterials are first come\, first served! \nCelebrate spring at the Dyckman Farmhouse Museum with Cathy Sanacore! Cathy will lead a craft workshop where participants can create their own spring themed paper wreath. This event is free\, and materials are first come first served. This program is open to kids of all ages. \nContact Cathy with any questions at handpaintedbycathy@gmail.com \n\nArte y Oficios con Cathy \nFecha: 27 de abril Horario: \n2:00 PM – 4:00 PM \n¡Los materiales se entregan por orden de llegada! \nCelebra la primavera en el Museo de la Granja Dyckman con Cathy Sanacore. Cathy dirigirá un taller de arte y manualidades donde los participantes podrán crear su propia corona de papel con el tema de primavera. Este evento es gratuito\, y los materiales se entregan por orden de llegada. El programa está abierto a niños de todas las edades. \n¿Tienes preguntas? Contacta a Cathy a través de su correo electrónico: handpaintedbycathy@gmail.com
URL:https://dyckmanfarmhouse.org/event/crafts-with-cathy/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/Crafts-with-Cathy-1-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240422T163000
DTEND;TZID=America/New_York:20240422T183000
DTSTAMP:20260403T193245
CREATED:20240308T141029Z
LAST-MODIFIED:20240308T141029Z
UID:10629-1713803400-1713810600@dyckmanfarmhouse.org
SUMMARY:Growing Uptown: Earth Day Addition
DESCRIPTION:Celebrate Earth Day with the Dyckman Farmhouse’s “Growing Uptown: Earth Day Edition!” \nMonday\, April 22\, 2024 at 4:30 PM. \nMaterials are FIRST COME\, FIRST SERVED \nWhat better way to celebrate the earth than by learning how to grow your own food? Join us to learn how to transform empty egg cartons into seed trays\, and kickstart your own at-home garden. There is no cost to this event\, but trays and seeds will be provided on a first come\, first serve basis. This is part of the Dyckman Farmhouse’s “Growing Uptown” initiative\, which aims to minimize food insecurity by empowering residents of Upper Manhattan and the Bronx to grow their own food! \nTHIS PROGRAM IS SUPPORTED\, IN PART\, BY PUBLIC FUNDS FROM THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS IN PARTNERSHIP WITH THE CITY COUNCIL. \n  \n¡Celebre el Día de la Tierra con el “Growing Uptown: Edición del Día de la Tierra” de el Dyckman Farmhouse! \nLunes 22 de abril de 2024 a las 4:30 PM. \n¿Qué mejor manera de celebrar la tierra que aprendiendo a cultivar su propia comida? Únase a nosotros para aprender a transformar cartones de huevos vacíos a bandejas de semillas y comenzar su propio huerto en casa. Este evento es gratuito\, pero las bandejas y las semillas se proporcionarán por orden de llegada. Esto es parte de la iniciativa “Cultivando Uptown” de Dyckman Farmhouse\, que tiene como objetivo minimizar la inseguridad alimentaria al empoderar a los residentes del Alto Manhattan y el Bronx para que cultiven sus propios alimentos.
URL:https://dyckmanfarmhouse.org/event/growing-uptown-earth-day-addition/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/Heading.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240420T120000
DTEND;TZID=America/New_York:20240420T140000
DTSTAMP:20260403T193245
CREATED:20240315T145340Z
LAST-MODIFIED:20240321T181534Z
UID:10676-1713614400-1713621600@dyckmanfarmhouse.org
SUMMARY:José Luis in the Parlor
DESCRIPTION:***THIS EVENT IS FREE WITH MUSEUM ADMISSION** Tickets cost $3 per person\, and are free for Inwood Residents. \nWander the Dyckman Farmhouse Museum while listening to the beautiful sounds of Jose Luis on the harp! Jose will play at the farmhouse during open hours. Find Jose set up in the farmhouse parlor on: \nSaturday\, March 30: 12PM-2PM \nSaturday\, April 6: 12PM-2PM \nSaturday\, April 20 12PM-2PM \nSaturday\, May 18: 12PM-2PM \nFriday\, May 24: 1PM-3PM \nFriday\, June 7: 1PM-3PM \nJose Luis has been performing for over thirty years and is highly regarded as a gifted harpist by his peers. Jose Luis is the only harpist to play both the classic concert harp and the Latin lever harp; which requires him to pluck the strings with two different techniques; the first uses his fingertips and the second his nails. \nJose Luis first fell in love with the sound of the harp and began studying in his early teens with Maestro Jose Serrano in Puerto Rico. He later visited Los Angeles to take private lessons with the world-renowned harpist and composer Alfredo Rolando Ortiz. \n  \nESTE EVENTO ES GRATUITO CON LA ENTRADA AL MUSEO \nLas entradas cuestan $3 por persona y son gratis para los residentes de Inwood ¡Pasea por el Museo Dyckman Farmhouse mientras escuchas los hermosos sonidos del arpa con José Luis! José tocará en la granja durante el horario de apertura. Encuentra a José en el salón de la granja en: \nSábado\, 30 de marzo: 12:00 p.m. a 2:00 p.m. \nSábado\, 6 de abril: 12:00 p.m. a 2:00 p.m. \nSábado\, 20 de abril: 12:00 p.m. a 2:00 p.m. \nSábado\, 18 de mayo: 12:00 p.m. a 2:00 p.m. \nViernes\, 24 de mayo: 1:00 p.m. a 3:00 p.m. \nViernes\, 7 de junio: 1:00 p.m. a 3:00 p.m. \nJosé Luis lleva más de treinta años tocando el arpa y es muy respetado por sus colegas como un arpista talentoso. José Luis es el único arpista que toca tanto el arpa de concierto clásica como el arpa de palanca latina; lo que requiere que toque las cuerdas con dos técnicas diferentes; la primera utiliza los dedos y la segunda las uñas. José Luis se enamoró por primera vez del sonido del arpa y comenzó a estudiar en su adolescencia con el Maestro José Serrano en Puerto Rico. Más tarde visitó Los Ángeles para tomar clases con el mundialmente reconocido arpista y compositor Alfredo Rolando Ortiz.
URL:https://dyckmanfarmhouse.org/event/jose-luis-in-the-parlor-4/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/3.png
ORGANIZER;CN="Dyckman Farmhouse Museum":MAILTO:info@dyckmanfarmhouse.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240406T120000
DTEND;TZID=America/New_York:20240406T140000
DTSTAMP:20260403T193245
CREATED:20240319T163540Z
LAST-MODIFIED:20240321T181717Z
UID:10693-1712404800-1712412000@dyckmanfarmhouse.org
SUMMARY:From the Ground Up: A Family Exploration Day
DESCRIPTION:From the Ground Up: A Family Exploration Day at DFM \nSaturday\, April 6th\, from 12PM-2PM \nThis program is facilitated by students from the Cooperstown Graduate Program in Museum Studies. \nCome to the Dyckman Farmhouse Museum for a free\, engaging and educational public event for all ages on Saturday\, April 6th from 12PM-2:00PM. Engage in interactive craft activities designed to spark curiosity and discovery – stations throughout the property will delve into the realms archeology\, history\, foodways\, and science in a relaxed and informal atmosphere. As an added bonus\, relish in the melodious tunes of talented local harpist José Luis. \n  \nDesde la Base: Un Día de Exploración Familiar en el Museo Dyckman Farmhouse! \nSábado 6 de Abril\, de 12:00 p.m. a 2:00 p.m. \nEste programa está dirigido porestudiantes del Programa de Graduados en Estudios Museísticos de Cooperstown. \nVen al Museo Dyckman Farmhouse para un evento público gratuito\, educativo y entretenido para todas las edades el sábado 6 de abril de 12:00 p.m. a 2:00 p.m. Participa en actividades artesanales interactivas diseñadas para despertar la curiosidad y el descubrimiento: las estaciones ubicadas por toda la propiedad se están basadas en los reinos de la arqueología\, la historia\, la gastronomía y la ciencia en un ambiente relajado e informal. Como beneficio adicional\, disfrutarán de las melodiosas canciones del talentoso arpista local José Luis.
URL:https://dyckmanfarmhouse.org/event/from-the-ground-up-a-family-exploration-day/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/From-the-Ground-Up-A-Family-Exploration-Day.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240406T120000
DTEND;TZID=America/New_York:20240406T130000
DTSTAMP:20260403T193245
CREATED:20240315T145226Z
LAST-MODIFIED:20240321T181457Z
UID:10673-1712404800-1712408400@dyckmanfarmhouse.org
SUMMARY:José Luis in the Parlor
DESCRIPTION:***THIS EVENT IS FREE WITH MUSEUM ADMISSION** Tickets cost $3 per person\, and are free for Inwood Residents. \nWander the Dyckman Farmhouse Museum while listening to the beautiful sounds of Jose Luis on the harp! Jose will play at the farmhouse during open hours. Find Jose set up in the farmhouse parlor on: \nSaturday\, March 30: 12PM-2PM \nSaturday\, April 6: 12PM-2PM \nSaturday\, April 20 12PM-2PM \nSaturday\, May 18: 12PM-2PM \nFriday\, May 24: 1PM-3PM \nFriday\, June 7: 1PM-3PM \nJose Luis has been performing for over thirty years and is highly regarded as a gifted harpist by his peers. Jose Luis is the only harpist to play both the classic concert harp and the Latin lever harp; which requires him to pluck the strings with two different techniques; the first uses his fingertips and the second his nails. \nJose Luis first fell in love with the sound of the harp and began studying in his early teens with Maestro Jose Serrano in Puerto Rico. He later visited Los Angeles to take private lessons with the world-renowned harpist and composer Alfredo Rolando Ortiz. \n  \nESTE EVENTO ES GRATUITO CON LA ENTRADA AL MUSEO \nLas entradas cuestan $3 por persona y son gratis para los residentes de Inwood ¡Pasea por el Museo Dyckman Farmhouse mientras escuchas los hermosos sonidos del arpa con José Luis! José tocará en la granja durante el horario de apertura. Encuentra a José en el salón de la granja en: \nSábado\, 30 de marzo: 12:00 p.m. a 2:00 p.m. \nSábado\, 6 de abril: 12:00 p.m. a 2:00 p.m. \nSábado\, 20 de abril: 12:00 p.m. a 2:00 p.m. \nSábado\, 18 de mayo: 12:00 p.m. a 2:00 p.m. \nViernes\, 24 de mayo: 1:00 p.m. a 3:00 p.m. \nViernes\, 7 de junio: 1:00 p.m. a 3:00 p.m. \nJosé Luis lleva más de treinta años tocando el arpa y es muy respetado por sus colegas como un arpista talentoso. José Luis es el único arpista que toca tanto el arpa de concierto clásica como el arpa de palanca latina; lo que requiere que toque las cuerdas con dos técnicas diferentes; la primera utiliza los dedos y la segunda las uñas. José Luis se enamoró por primera vez del sonido del arpa y comenzó a estudiar en su adolescencia con el Maestro José Serrano en Puerto Rico. Más tarde visitó Los Ángeles para tomar clases con el mundialmente reconocido arpista y compositor Alfredo Rolando Ortiz.
URL:https://dyckmanfarmhouse.org/event/jose-luis-in-the-parlor-3/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240405T160000
DTEND;TZID=America/New_York:20240405T183000
DTSTAMP:20260403T193245
CREATED:20240315T140914Z
LAST-MODIFIED:20240319T131313Z
UID:10661-1712332800-1712341800@dyckmanfarmhouse.org
SUMMARY:What We See Matters! - Storytelling Through Photography
DESCRIPTION:What We See Matters! – Storytelling Through Photography \nApril 5th\, 2024; 4PM-6:30PM \nREGISTRATION REQUIRED\, OPEN TO AGES: 11-15 \nRegister here \nFacilitated by Christopher Lopez \nEmbrace your inner artist with this photography workshop at the Dyckman Farmhouse Museum! Students will learn about photography and how to use the provided cameras. Afterward\, the group will explore Inwood and take photographs following a selected theme. One photograph will be selected from each student to be exhibited at the Dyckman Farmhouse Museum! \nStudents will learn to understand photographic form and use related vocabulary to support their analyses of photographs\, as well as articulate the process of creating meaning through form\, content\, and context. Students will expand their visual literacy by learning to look\, and by decoding images reviewed in class and encoding these ideas into their own original photographs outside of class in the surrounding area. The students will be asked to see the Dyckman community as a principal subject. Through direct involvement with the camera they will be asked to create unique visual images that articulate the varied aesthetics of the community. \n  \n¡Lo que Vemos Importa! – Narrativa a Través de la Fotografía \n5 de Abril\, 2024; 4PM-6:30PM REQUIERE \nINSCRIPCIÓN\, ABIERTO A LAS EDADES: 11-15 \nFacilitado por Christopher Lopez \n¡Abraza a tu artista interior con este taller de fotografía en el Museo Dyckman Farmhouse! Los estudiantes aprenderán sobre fotografía y cómo usar las cámaras provistas. Luego\, el grupo explorará Inwood y tomará fotografías siguiendo un tema seleccionado. ¡Se seleccionará una fotografía de cada estudiante para ser exhibida en el Museo Dyckman Farmhouse! Los estudiantes aprenderán a comprender la forma fotográfica y usar vocabulario relacionado para apoyar sus análisis de fotografías\, así como a articular el proceso de creación de significado a través de la forma\, el contenido y el contexto. Los estudiantes ampliarán su comprensión aprendiendo a mirar y decodificando imágenes revisadas en clase y codificando estas ideas en sus propias fotografías originales fuera de clase en \nlos alrededores. Se les pedirá a los estudiantes que vean a la comunidad de Dyckman como un tema principal. A través de la participación directa con la cámara\, se les pedirá que creen imágenes visuales únicas que articulen la estética variada de la comunidad.
URL:https://dyckmanfarmhouse.org/event/what-we-see-matters-storytelling-through-photography/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/What-We-See-Matters-Storytelling-Through-Photography-1.png
ORGANIZER;CN="Dyckman Farmhouse Museum":MAILTO:info@dyckmanfarmhouse.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240330T120000
DTEND;TZID=America/New_York:20240330T140000
DTSTAMP:20260403T193245
CREATED:20240315T145114Z
LAST-MODIFIED:20240321T181435Z
UID:10664-1711800000-1711807200@dyckmanfarmhouse.org
SUMMARY:José Luis in the Parlor
DESCRIPTION:***THIS EVENT IS FREE WITH MUSEUM ADMISSION** Tickets cost $3 per person\, and are free for Inwood Residents. \nWander the Dyckman Farmhouse Museum while listening to the beautiful sounds of Jose Luis on the harp! Jose will play at the farmhouse during open hours. Find Jose set up in the farmhouse parlor on: \nSaturday\, March 30: 12PM-2PM \nSaturday\, April 6: 12PM-2PM \nSaturday\, April 20 12PM-2PM \nSaturday\, May 18: 12PM-2PM \nFriday\, May 24: 1PM-3PM \nFriday\, June 7: 1PM-3PM \nJose Luis has been performing for over thirty years and is highly regarded as a gifted harpist by his peers. Jose Luis is the only harpist to play both the classic concert harp and the Latin lever harp; which requires him to pluck the strings with two different techniques; the first uses his fingertips and the second his nails. \nJose Luis first fell in love with the sound of the harp and began studying in his early teens with Maestro Jose Serrano in Puerto Rico. He later visited Los Angeles to take private lessons with the world-renowned harpist and composer Alfredo Rolando Ortiz. \n  \nESTE EVENTO ES GRATUITO CON LA ENTRADA AL MUSEO \nLas entradas cuestan $3 por persona y son gratis para los residentes de Inwood ¡Pasea por el Museo Dyckman Farmhouse mientras escuchas los hermosos sonidos del arpa con José Luis! José tocará en la granja durante el horario de apertura. Encuentra a José en el salón de la granja en: \nSábado\, 30 de marzo: 12:00 p.m. a 2:00 p.m. \nSábado\, 6 de abril: 12:00 p.m. a 2:00 p.m. \nSábado\, 20 de abril: 12:00 p.m. a 2:00 p.m. \nSábado\, 18 de mayo: 12:00 p.m. a 2:00 p.m. \nViernes\, 24 de mayo: 1:00 p.m. a 3:00 p.m. \nViernes\, 7 de junio: 1:00 p.m. a 3:00 p.m. \nJosé Luis lleva más de treinta años tocando el arpa y es muy respetado por sus colegas como un arpista talentoso. José Luis es el único arpista que toca tanto el arpa de concierto clásica como el arpa de palanca latina; lo que requiere que toque las cuerdas con dos técnicas diferentes; la primera utiliza los dedos y la segunda las uñas. José Luis se enamoró por primera vez del sonido del arpa y comenzó a estudiar en su adolescencia con el Maestro José Serrano en Puerto Rico. Más tarde visitó Los Ángeles para tomar clases con el mundialmente reconocido arpista y compositor Alfredo Rolando Ortiz.
URL:https://dyckmanfarmhouse.org/event/jose-luis-in-the-parlor-2/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/03/José-Luis.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240228T180000
DTEND;TZID=America/New_York:20240228T193000
DTSTAMP:20260403T193245
CREATED:20230824T180628Z
LAST-MODIFIED:20231101T193537Z
UID:10397-1709143200-1709148600@dyckmanfarmhouse.org
SUMMARY:Talking About Race Matters: Redressing American Fashion: Black Designers in the 19th and 20th Centuries by Elizabeth Way
DESCRIPTION:Talking About Race Matters: Redressing American Fashion: Black Designers in the 19th and 20th Centuries Lecture by Elizabeth Way \nFebruary 28th at 6PM – Virtual \nRegister Here \nBlack people have always significantly shaped American fashion through their style\, their labor\, and as innovative fashion makers. From nineteenth-century dressmakers\, both enslaved and free\, to transitional creatives who helped navigate what an American designer could be\, and late-twentieth century designers\, embedded in the formal New York industry\, Black people have always been a driving force in American fashion. Their stories\, however\, are often left out of the narrative. Examining the lives and careers of just a few starts to create a more wholistic understanding of American fashion and its wider impacts on culture and society. \nElizabeth Way is Associate Curator of Costume at The Museum at the Fashion Institute of Technology\, where she co-curated/curated Black Fashion Designers (2016)\, Fabric In Fashion (2018)\, Head to Toe (2021)\, Fresh\, Fly\, and Fabulous: Fifty Years of Hip Hop Style (2023)\, and Food &amp; Fashion (2023). Way guest-curated Ann Lowe: American Couturier at Winterthur Museum Garden &amp; Library (2023). She edited the books Black Designers in American Fashion (2021) and Ann Lowe: American Couturier (2023). She holds an M.A. in Costume Studies from New York University. \n  \nHablar de Temas Raciales: Revistiendo la Moda Estadounidense: Diseñadores Negros en los siglos XIX y XX. Una Conferencia de Elizabeth Way el 28 de febrero a las 6:00 pm – Virtual \nRegístrate Aquí \nLas personas de color en este país siempre han dado forma a la moda estado unidense de una manera significativa a través de sus estilo\, su trabajo y como creadores innovadores de ésta. Modistas negros del siglo XIX\, tanto esclavizados como libres\, hasta creativos en transición que ayudaron a navegar lo que podría ser un diseñador estadounidense y diseñadores de finales del siglo XX\, se integraron todos en la industria formal de la moda neoyorquina. La gente negra siempre ha sido una fuerza impulsora en la moda estadounidense. Sus historias\, sin embargo\, a menudo quedan fuera de la narración. Ven a examinar las vidas y carreras de unos pocos; lo que hace que se comience a crear una comprensión más integral de la moda estadounidense y su gran impacto en la cultura y la sociedad. \nElizabeth Way es curadora asociada de vestuario en el museo del Instituto de Tecnología de la Moda\, donde fue premiada por el Black Fashion Designers (2016)\, Fabric In Fashion (2018)\, Head to Toe (2021)\, Fresh\, Fly y Fabuloso: cincuenta años de estilo hip hop (2023). Ann Lowe\, curadora invitada: American Couturier in Winterthur Museum Garden & Library (2023). Editó los libros Black Designers in American Fashion (2021) y Ann Lowe: American Couturier (2023). Tiene una maestría en Estudios de Vestuario de la Universidad de Nueva York.
URL:https://dyckmanfarmhouse.org/event/talking-about-race-matters-redressing-american-fashion-black-designers-in-the-19th-and-20th-centuries-by-elizabeth-way/
LOCATION:Virtual via Zoom
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2023/08/Jazz-Power-Week-5-Incomplete.png
ORGANIZER;CN="Dyckman Farmhouse Museum":MAILTO:info@dyckmanfarmhouse.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240221T180000
DTEND;TZID=America/New_York:20240221T193000
DTSTAMP:20260403T193245
CREATED:20230913T192346Z
LAST-MODIFIED:20231101T193441Z
UID:10433-1708538400-1708543800@dyckmanfarmhouse.org
SUMMARY:Talking About Race Matters: Fashion\, Race\, Identity\, and Power: Black Dandy Beginnings by Monica Miller
DESCRIPTION:Talking About Race Matters: Fashion\, Race\, Identity\, and Power: Black Dandy Beginnings by Monica Miller \nThis talk will explore the politics of fashion and dress for enslaved and free Black people in 18th and 19th-century Europe and America. Beginning with the phenomenon of dandified “luxury slaves” in 18th-century London\, Miller will discuss the way in which the enslaved and free in America used fancy dress and fashion to both visualize freedom and critique contemporary hierarchies of race\, gender\, class\, and sexuality. This talk is based on Miller’s book Slaves to Fashion\, a cultural history of Black dandyism\, which uses print culture\, colonial histories\, literature\, and theater to tell the Black dandy’s story. \nRegister here \nHablar sobre temas raciales: moda\, raza\, identidad y poder: Black Dandy Beginnings por Mónica Miller. \nEsta charla explorará la política de la moda y la vestimenta para la gente negra libre y esclavizada en Europa y Estados Unidos de los siglos XVIII y XIX. Comenzando con el fenómeno de los dandiados ‘esclavos de lujo” en el Londres del siglo XVIII\, Miller discutirá la forma en que los esclavos y gente de color libres en Estados Unidos utilizaron lo disfraces y la moda para visualizar la libertad y criticar las jerarquías contemporáneas de raza\, género\, clase y sexualidad. Esta charla se basa en el libro de Miller “Slaves to Fashion”\, una historia cultural del dandismo negro\, que utiliza la cultura popular impresa\, las historias coloniales\, la literatura y el teatro para contar la historia del dandy negro.
URL:https://dyckmanfarmhouse.org/event/talking-about-race-matters-fashion-race-identity-and-power-black-dandy-beginnings-by-monica-miller/
LOCATION:Virtual via Zoom
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2023/09/Jazz-Power-Week-5-Incomplete.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240214T180000
DTEND;TZID=America/New_York:20240214T193000
DTSTAMP:20260403T193245
CREATED:20230824T181016Z
LAST-MODIFIED:20231101T193313Z
UID:10401-1707933600-1707939000@dyckmanfarmhouse.org
SUMMARY:Talking About Race Matters: Headwraps of African Women in America by Cheyney McKnight
DESCRIPTION:Talking About Race Matters: Headwraps of African Women in America by Cheyney McKnight \nFebruary 14th at 6PM – Virtual \nRegister Here \nCheyney McKnight will give a lecture on headwraps found among both free and enslaved African Women in America from the 18th to 19th century. Attendees will learn how headwraps changed from region to region\, and the cultural and historical significance of styles. \nCheyney Mcknight is Manager of Living History at New-York Historical Society\, where develops and runs Living History Programs. \nShe is also owner of Not Your Momma’s History\, a public history consulting business that aids museums and historical sites in talking about the African experience within 18th and 19th century America.   Not Your Momma’s History runs a YouTube channel with over 240\,000 subscribers and 5 million views\, that shows the day to day lives of Black people throughout American history. \nCheyney has taken her “Let’s Talk About Slavery” table to over 30 parks\, historical sites\, and public events across America to provide a safe place for people to learn and talk about the history of slavery.  She provides handouts to encourage people to further their education beyond that one interaction. \nCheyney graduated from Simmons University in 2011 with a bachelors in Political Science. \nIn 2021 Cheyney was chosen to be an  African American Cultural Heritage Action Fund Fellow for the National Trust for Historic Preservation.  Her project\, titled The Ancestor’s Future: An Afrofuturist Journey Through History\, was both a piece of performance art and a conversation inspired by Afrofuturism about the future of historic preservation on former sites of enslavement. Cheyney uses clothing designs that meld modern textiles that speak to the Black experience in America with 18th and 19th century silhouettes. \n  \nHablar Sobre Temas Raciales Importa: Pañuelos como Adornos para la Cabeza de Mujeres Africanas en América\, por Cheyney McKnight \n14 de febrero a las 6:00 pm – Virtual \nRegístrate Aquí \nCheyney McKnight dará una conferencia sobre los pañuelos como adornos para la cabeza que usaban las mujeres africanas libres y esclavizadas en América del siglo XVIII al XIX. Los visitantes aprenderán cómo cambian los turbantes de una región a otra y el significado cultural e histórico de los estilos. \nCheyney Mcknight es Gerente de Historia Viva en la Sociedad Histórica de Nueva York\, donde desarrolla y ejecuta Programas de Historia Viva. \nTambién es propietaria de Not Your Momma’s History\, una empresa de consultoría de historia pública que ayuda a los museos y sitios históricos a hablar sobre la experiencia africana en los Estados Unidos de los siglos XVIII y XIX. Not Your Momma’s History tiene un canal de YouTube con más de 240\,000 suscriptores y 5 millones de visitas\, que muestra la vida cotidiana de la gente negra a lo largo de la historia estadounidense. \nCheyney ha llevado su mesa “Hablemos de la Esclavitud” a más de 30 parques\, sitios históricos y eventos públicos en todo Estados Unidos para brindar un lugar seguro donde las personas aprendan y hablen sobre la historia de la esclavitud. Ella proporciona folletos para motivar a las personas a continuar su educación más allá de esa interacción. \nCheyney se graduó de la Universidad Simmons en el 2011 con una licenciatura en Ciencia Políticas. \nEn el 2021\, Cheyney fue elegida para ser miembro del Fondo de Acción del Patrimonio Cultural Afroamericano y National Trust for Historic Preservation. Su proyecto\, titulado The Ancestor’s Future: An Afrofuturist Journey Through History\, fue tanto una pieza de arte escénico como una conversación inspirada en el afrofuturismo sobre el futuro de la preservación histórica en lugares donde vivieron gente esclavizada. Cheyney usa diseños de ropa que fusionan textiles modernos\, utilizando siluetas de los siglos XVIII y XIX\, que hablan de la experiencia negra en Estados Unidos.
URL:https://dyckmanfarmhouse.org/event/talking-about-race-matters-headwraps-of-african-women-in-america-by-cheyney-mcknight/
LOCATION:Virtual via Zoom
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2023/08/Jazz-Power-Week-5-Incomplete-2.png
ORGANIZER;CN="Dyckman Farmhouse Museum":MAILTO:info@dyckmanfarmhouse.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240207T180000
DTEND;TZID=America/New_York:20240207T200000
DTSTAMP:20260403T193245
CREATED:20240130T121251Z
LAST-MODIFIED:20240130T121251Z
UID:10598-1707328800-1707336000@dyckmanfarmhouse.org
SUMMARY:Connections Opening Reception
DESCRIPTION:Join us at the Dyckman Farmhouse to celebrate the creative spirit and artwork of four visionary uptown artists. While this pop up exhibition will showcase their diverse perspectives\, mediums\, and styles\, the theme of “Connections” binds them to each other and to their uptown communities. \nWhat better place to unite art lovers and creators than at the Dyckman Farmhouse\, a place dedicated to preserving the history of Inwood while honoring the present and future of this vibrant community. \nEnjoy art\, refreshments and the wonderful music by harpist José Luis.
URL:https://dyckmanfarmhouse.org/event/connections-opening-reception/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/01/Connections-Pop-Up-Dyckman-Farmhouse-1640x924-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240205T090000
DTEND;TZID=America/New_York:20240205T170000
DTSTAMP:20260403T193245
CREATED:20231222T103552Z
LAST-MODIFIED:20231222T103552Z
UID:10552-1707123600-1707152400@dyckmanfarmhouse.org
SUMMARY:2024 Northern Slavery Collective Conference
DESCRIPTION:Register Here \nThe Northern Slavery Collective is excited to announce our upcoming Annual Conference\, which will focus on museum education related to enslavement in the North. This conference will bring together experts in the field to share their insights and experiences on how museums can effectively educate the public about the history of enslavement. \nThe conference will cover a range of topics\, including the challenges and opportunities of presenting enslavement in the North\, the role of museums in shaping public perceptions of this history\, and strategies for engaging diverse audiences in meaningful conversations about this vital topic. \nThis conference is open to museum professionals\, educators\, and anyone interested in learning more about museum education related to the history of enslavement. \nJoin us on February 5\, 2024\, from 9 am to 5 pm\, at 1 Vanderbilt Avenue for our second annual conference\, sponsored by TD Bank. \nLearn more about our presenters here. \nPlease reach out to info@norsc.org with any questions.
URL:https://dyckmanfarmhouse.org/event/2024-northern-slavery-collective-conference/
LOCATION:TD Bank Conference Center\, 1 Vanderbilt Ave\, New York\, New York\, 10017
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2023/12/RESTAURANT-2.png
END:VEVENT
END:VCALENDAR