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DTSTART;TZID=America/New_York:20240205T090000
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DTSTAMP:20260403T172247
CREATED:20231222T103552Z
LAST-MODIFIED:20231222T103552Z
UID:10552-1707123600-1707152400@dyckmanfarmhouse.org
SUMMARY:2024 Northern Slavery Collective Conference
DESCRIPTION:Register Here \nThe Northern Slavery Collective is excited to announce our upcoming Annual Conference\, which will focus on museum education related to enslavement in the North. This conference will bring together experts in the field to share their insights and experiences on how museums can effectively educate the public about the history of enslavement. \nThe conference will cover a range of topics\, including the challenges and opportunities of presenting enslavement in the North\, the role of museums in shaping public perceptions of this history\, and strategies for engaging diverse audiences in meaningful conversations about this vital topic. \nThis conference is open to museum professionals\, educators\, and anyone interested in learning more about museum education related to the history of enslavement. \nJoin us on February 5\, 2024\, from 9 am to 5 pm\, at 1 Vanderbilt Avenue for our second annual conference\, sponsored by TD Bank. \nLearn more about our presenters here. \nPlease reach out to info@norsc.org with any questions.
URL:https://dyckmanfarmhouse.org/event/2024-northern-slavery-collective-conference/
LOCATION:TD Bank Conference Center\, 1 Vanderbilt Ave\, New York\, New York\, 10017
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2023/12/RESTAURANT-2.png
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DTSTART;TZID=America/New_York:20240207T180000
DTEND;TZID=America/New_York:20240207T200000
DTSTAMP:20260403T172247
CREATED:20240130T121251Z
LAST-MODIFIED:20240130T121251Z
UID:10598-1707328800-1707336000@dyckmanfarmhouse.org
SUMMARY:Connections Opening Reception
DESCRIPTION:Join us at the Dyckman Farmhouse to celebrate the creative spirit and artwork of four visionary uptown artists. While this pop up exhibition will showcase their diverse perspectives\, mediums\, and styles\, the theme of “Connections” binds them to each other and to their uptown communities. \nWhat better place to unite art lovers and creators than at the Dyckman Farmhouse\, a place dedicated to preserving the history of Inwood while honoring the present and future of this vibrant community. \nEnjoy art\, refreshments and the wonderful music by harpist José Luis.
URL:https://dyckmanfarmhouse.org/event/connections-opening-reception/
LOCATION:Dyckman Farmhouse Museum\, 4881 Broadway\, New York\, NY\, 10034-3101\, United States
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2024/01/Connections-Pop-Up-Dyckman-Farmhouse-1640x924-3.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240214T180000
DTEND;TZID=America/New_York:20240214T193000
DTSTAMP:20260403T172247
CREATED:20230824T181016Z
LAST-MODIFIED:20231101T193313Z
UID:10401-1707933600-1707939000@dyckmanfarmhouse.org
SUMMARY:Talking About Race Matters: Headwraps of African Women in America by Cheyney McKnight
DESCRIPTION:Talking About Race Matters: Headwraps of African Women in America by Cheyney McKnight \nFebruary 14th at 6PM – Virtual \nRegister Here \nCheyney McKnight will give a lecture on headwraps found among both free and enslaved African Women in America from the 18th to 19th century. Attendees will learn how headwraps changed from region to region\, and the cultural and historical significance of styles. \nCheyney Mcknight is Manager of Living History at New-York Historical Society\, where develops and runs Living History Programs. \nShe is also owner of Not Your Momma’s History\, a public history consulting business that aids museums and historical sites in talking about the African experience within 18th and 19th century America.   Not Your Momma’s History runs a YouTube channel with over 240\,000 subscribers and 5 million views\, that shows the day to day lives of Black people throughout American history. \nCheyney has taken her “Let’s Talk About Slavery” table to over 30 parks\, historical sites\, and public events across America to provide a safe place for people to learn and talk about the history of slavery.  She provides handouts to encourage people to further their education beyond that one interaction. \nCheyney graduated from Simmons University in 2011 with a bachelors in Political Science. \nIn 2021 Cheyney was chosen to be an  African American Cultural Heritage Action Fund Fellow for the National Trust for Historic Preservation.  Her project\, titled The Ancestor’s Future: An Afrofuturist Journey Through History\, was both a piece of performance art and a conversation inspired by Afrofuturism about the future of historic preservation on former sites of enslavement. Cheyney uses clothing designs that meld modern textiles that speak to the Black experience in America with 18th and 19th century silhouettes. \n  \nHablar Sobre Temas Raciales Importa: Pañuelos como Adornos para la Cabeza de Mujeres Africanas en América\, por Cheyney McKnight \n14 de febrero a las 6:00 pm – Virtual \nRegístrate Aquí \nCheyney McKnight dará una conferencia sobre los pañuelos como adornos para la cabeza que usaban las mujeres africanas libres y esclavizadas en América del siglo XVIII al XIX. Los visitantes aprenderán cómo cambian los turbantes de una región a otra y el significado cultural e histórico de los estilos. \nCheyney Mcknight es Gerente de Historia Viva en la Sociedad Histórica de Nueva York\, donde desarrolla y ejecuta Programas de Historia Viva. \nTambién es propietaria de Not Your Momma’s History\, una empresa de consultoría de historia pública que ayuda a los museos y sitios históricos a hablar sobre la experiencia africana en los Estados Unidos de los siglos XVIII y XIX. Not Your Momma’s History tiene un canal de YouTube con más de 240\,000 suscriptores y 5 millones de visitas\, que muestra la vida cotidiana de la gente negra a lo largo de la historia estadounidense. \nCheyney ha llevado su mesa “Hablemos de la Esclavitud” a más de 30 parques\, sitios históricos y eventos públicos en todo Estados Unidos para brindar un lugar seguro donde las personas aprendan y hablen sobre la historia de la esclavitud. Ella proporciona folletos para motivar a las personas a continuar su educación más allá de esa interacción. \nCheyney se graduó de la Universidad Simmons en el 2011 con una licenciatura en Ciencia Políticas. \nEn el 2021\, Cheyney fue elegida para ser miembro del Fondo de Acción del Patrimonio Cultural Afroamericano y National Trust for Historic Preservation. Su proyecto\, titulado The Ancestor’s Future: An Afrofuturist Journey Through History\, fue tanto una pieza de arte escénico como una conversación inspirada en el afrofuturismo sobre el futuro de la preservación histórica en lugares donde vivieron gente esclavizada. Cheyney usa diseños de ropa que fusionan textiles modernos\, utilizando siluetas de los siglos XVIII y XIX\, que hablan de la experiencia negra en Estados Unidos.
URL:https://dyckmanfarmhouse.org/event/talking-about-race-matters-headwraps-of-african-women-in-america-by-cheyney-mcknight/
LOCATION:Virtual via Zoom
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2023/08/Jazz-Power-Week-5-Incomplete-2.png
ORGANIZER;CN="Dyckman Farmhouse Museum":MAILTO:info@dyckmanfarmhouse.org
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DTSTART;TZID=America/New_York:20240221T180000
DTEND;TZID=America/New_York:20240221T193000
DTSTAMP:20260403T172247
CREATED:20230913T192346Z
LAST-MODIFIED:20231101T193441Z
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SUMMARY:Talking About Race Matters: Fashion\, Race\, Identity\, and Power: Black Dandy Beginnings by Monica Miller
DESCRIPTION:Talking About Race Matters: Fashion\, Race\, Identity\, and Power: Black Dandy Beginnings by Monica Miller \nThis talk will explore the politics of fashion and dress for enslaved and free Black people in 18th and 19th-century Europe and America. Beginning with the phenomenon of dandified “luxury slaves” in 18th-century London\, Miller will discuss the way in which the enslaved and free in America used fancy dress and fashion to both visualize freedom and critique contemporary hierarchies of race\, gender\, class\, and sexuality. This talk is based on Miller’s book Slaves to Fashion\, a cultural history of Black dandyism\, which uses print culture\, colonial histories\, literature\, and theater to tell the Black dandy’s story. \nRegister here \nHablar sobre temas raciales: moda\, raza\, identidad y poder: Black Dandy Beginnings por Mónica Miller. \nEsta charla explorará la política de la moda y la vestimenta para la gente negra libre y esclavizada en Europa y Estados Unidos de los siglos XVIII y XIX. Comenzando con el fenómeno de los dandiados ‘esclavos de lujo” en el Londres del siglo XVIII\, Miller discutirá la forma en que los esclavos y gente de color libres en Estados Unidos utilizaron lo disfraces y la moda para visualizar la libertad y criticar las jerarquías contemporáneas de raza\, género\, clase y sexualidad. Esta charla se basa en el libro de Miller “Slaves to Fashion”\, una historia cultural del dandismo negro\, que utiliza la cultura popular impresa\, las historias coloniales\, la literatura y el teatro para contar la historia del dandy negro.
URL:https://dyckmanfarmhouse.org/event/talking-about-race-matters-fashion-race-identity-and-power-black-dandy-beginnings-by-monica-miller/
LOCATION:Virtual via Zoom
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2023/09/Jazz-Power-Week-5-Incomplete.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240228T180000
DTEND;TZID=America/New_York:20240228T193000
DTSTAMP:20260403T172247
CREATED:20230824T180628Z
LAST-MODIFIED:20231101T193537Z
UID:10397-1709143200-1709148600@dyckmanfarmhouse.org
SUMMARY:Talking About Race Matters: Redressing American Fashion: Black Designers in the 19th and 20th Centuries by Elizabeth Way
DESCRIPTION:Talking About Race Matters: Redressing American Fashion: Black Designers in the 19th and 20th Centuries Lecture by Elizabeth Way \nFebruary 28th at 6PM – Virtual \nRegister Here \nBlack people have always significantly shaped American fashion through their style\, their labor\, and as innovative fashion makers. From nineteenth-century dressmakers\, both enslaved and free\, to transitional creatives who helped navigate what an American designer could be\, and late-twentieth century designers\, embedded in the formal New York industry\, Black people have always been a driving force in American fashion. Their stories\, however\, are often left out of the narrative. Examining the lives and careers of just a few starts to create a more wholistic understanding of American fashion and its wider impacts on culture and society. \nElizabeth Way is Associate Curator of Costume at The Museum at the Fashion Institute of Technology\, where she co-curated/curated Black Fashion Designers (2016)\, Fabric In Fashion (2018)\, Head to Toe (2021)\, Fresh\, Fly\, and Fabulous: Fifty Years of Hip Hop Style (2023)\, and Food &amp; Fashion (2023). Way guest-curated Ann Lowe: American Couturier at Winterthur Museum Garden &amp; Library (2023). She edited the books Black Designers in American Fashion (2021) and Ann Lowe: American Couturier (2023). She holds an M.A. in Costume Studies from New York University. \n  \nHablar de Temas Raciales: Revistiendo la Moda Estadounidense: Diseñadores Negros en los siglos XIX y XX. Una Conferencia de Elizabeth Way el 28 de febrero a las 6:00 pm – Virtual \nRegístrate Aquí \nLas personas de color en este país siempre han dado forma a la moda estado unidense de una manera significativa a través de sus estilo\, su trabajo y como creadores innovadores de ésta. Modistas negros del siglo XIX\, tanto esclavizados como libres\, hasta creativos en transición que ayudaron a navegar lo que podría ser un diseñador estadounidense y diseñadores de finales del siglo XX\, se integraron todos en la industria formal de la moda neoyorquina. La gente negra siempre ha sido una fuerza impulsora en la moda estadounidense. Sus historias\, sin embargo\, a menudo quedan fuera de la narración. Ven a examinar las vidas y carreras de unos pocos; lo que hace que se comience a crear una comprensión más integral de la moda estadounidense y su gran impacto en la cultura y la sociedad. \nElizabeth Way es curadora asociada de vestuario en el museo del Instituto de Tecnología de la Moda\, donde fue premiada por el Black Fashion Designers (2016)\, Fabric In Fashion (2018)\, Head to Toe (2021)\, Fresh\, Fly y Fabuloso: cincuenta años de estilo hip hop (2023). Ann Lowe\, curadora invitada: American Couturier in Winterthur Museum Garden & Library (2023). Editó los libros Black Designers in American Fashion (2021) y Ann Lowe: American Couturier (2023). Tiene una maestría en Estudios de Vestuario de la Universidad de Nueva York.
URL:https://dyckmanfarmhouse.org/event/talking-about-race-matters-redressing-american-fashion-black-designers-in-the-19th-and-20th-centuries-by-elizabeth-way/
LOCATION:Virtual via Zoom
ATTACH;FMTTYPE=image/png:https://dyckmanfarmhouse.org/wp-content/uploads/2023/08/Jazz-Power-Week-5-Incomplete.png
ORGANIZER;CN="Dyckman Farmhouse Museum":MAILTO:info@dyckmanfarmhouse.org
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